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Case Study

Emre Altuğ "Bir Pop Masalı"

The Challenge

Bir Pop Masalı 

 

For Sami Yusuf’s “Ecstasy: Between Two Seas” concert in Istanbul, a unified visual system was designed to bring the entire stage experience together under a single narrative. Taking place at Festival Park Yenikapı with an audience of 25,000 and a 75-piece orchestra, the production focused on maintaining a continuous and cohesive atmosphere despite the scale and open-air conditions.

As the concert marked the world premiere of works from the album Ecstasy, the visual language was developed around a concept rooted in Istanbul’s identity. Rather than relying on literal city imagery, the idea of “between two seas” was interpreted through abstraction—emphasizing flow, transformation, and continuity throughout the performance.

All visual content was produced at a master resolution of 18,144 × 7,040 pixels, tailored to the stage’s high-resolution, segmented LED screen structure. This approach ensured clarity and depth across large surfaces while preserving visual continuity between screen segments. The content was then divided and precisely mapped to match the physical geometry of the stage, creating the perception of a single, uninterrupted visual surface.

The visual narrative was conceived as a continuous flow rather than a sequence of isolated pieces. Water-inspired forms, organic motion, and smooth transitions defined the core aesthetic, while cultural references were used sparingly and with intention. This balance allowed the stage atmosphere to feel timeless and universal rather than bound to a specific place or moment.

Visual content was designed to work alongside lighting design and live camera imagery, not to overpower them. Screens and lighting elements were treated as extensions of the same visual plane, functioning together rather than as separate layers. This approach was especially important in preserving focus on the orchestra and soloists during moments where musical presence took priority.

The resulting system delivered a large-scale concert experience in which technical stability and visual coherence were maintained throughout, allowing high-resolution content to become an integral and natural part of the stage narrative.

Equipment

 

The technical infrastructure for Sami Yusuf’s live performance was designed to ensure timecode-based synchronization across audio, lighting, and video systems within a single, unified show flow.

Visual content was produced using Cinema 4D, Unreal Engine, Houdini, and Blender, tailored specifically for high-resolution LED screens. Cinematic camera movements and balanced lighting compositions were developed with consideration for stage scale, viewing distance, and live performance dynamics.

For video playback and show control, WATCHOUT and Analog Way Aquilon (C++) were utilized. All systems were synchronized via timecode from the audio console, allowing video content, lighting cues, and musical transitions to progress in a deterministic and repeatable manner without the need for manual intervention.

This setup enabled centralized control of all technical components, delivering a stable and fully synchronized stage experience under large-scale outdoor production conditions.

Credits​

 

Event organization: Anadolu PSM

Technical production: Kernel Production

Technical equipment: Solid Technical Solutions

Lighting Design: Timecode Mafia

Visual Content Design & Production: Sense Department​